The Prison Cells We Hide In

I always struggled to maintain friendships with women. It was easier for me to hang out with men. I knew exactly how to talk to them, how to act around them and was confident in my direct approach.

Women scared me. We always seemed to be hurting each other. The idea of a united front, working to overcome inequality and patriarchy as a tsunami of feminine strength seemed implausible.

Over time, I learned how to approach female relationships. It requires a real effort for me to connect with other women, even though it sometimes seems futile. The few friends I did manage to make are extraordinarily patient with me. I know that I wrap myself in yellow tape and dare them to try.

And then #metoo and #timesup happened, and I saw women emerging from their own prison. I dipped a toe in at first, wanting to test the waters I couldn’t trust. But I fell in hard. I found myself swimming in a school, sometimes wildly as though being chased, but most times with direction and purpose. Every once in a while, coming up for air, I saw some of what I knew deep down was still there; we weren’t all prepared for this.

The other day a woman called out from her prison and she got swarmed. There was a pounding on her door, a demand for her to open up, and I saw that there are cracks that are widening.

We need each other. But we need to tunnel into each prison and sit a moment inside. We need to see her space, feel her boundaries, and hold her hand when she decides she wants it to be held. Then we can be the force that will break us free.

This is what my prison looked like. It’s empty most of the time now. If you ever see me inside, come in through the back door I hide behind my unsmiling eyes. I’ll be waiting for you.

* * * * *

I keep the women in my life at bay.

Held off by my rigid tone, they circle for a moment before wandering away.

I don’t blame them.

The door is bolted and covered in skulls.

I am not very inviting.

I throw a line, teasing it a bit before I reel it in.

My words fall from my tongue with force I don’t even try to control. I am unbridled, wild and free in this prison I have constructed from the rubble of my demolished childhood.

It is warm in here.

I touch the splintering walls, piercing my fingertips with rusting nails. Watching the blood flow, I patch the roof where sunlight dares to shine through.

It is stifling in here.

Betrayals decompose in heaps strewn about the floor. Expectation died here long ago. The stench of rotting dreams reminds me not to close my eyes.

It is burning in here.

The men who knock are well received. I learned to navigate their world the moment I heard one moan. They trip over the warning signs. They don’t understand the game I play. They take me as I am; as I project myself to be.

I host them in the darkness. There is nothing here for them to see.

Lingering outside for a moment, the women stare through the glass walls of my prison where I meet their gaze with my empty plea.

Dry eyes

My grandmother ran out of Poland towards Russia with only the summer clothes she was wearing and spent the next five years seeking warmth in a world that had frozen over.

I was raised on her story, as well as all the stories of my generation’s grandparents. We were their proof that it had been worth it and we were reminded of that as often as possible.

Black and white images of striped prisoners dominated my youth and I knew, without a shadow of a doubt, that my life was a living testimony to six million corpses.

I devoured memoirs and drew black and white sketches of emaciated Jews melting in pools of blood. My drawings hung on the walls as trophies, as though they meant we had won.

I knew what gas chambers were before I had ever watched a Disney movie. I scoffed at Socialism before I learned about Democracy. I could recognize Hitler and Stalin and swastikas before I ever saw a picture of JFK. I wasn’t brought up in the shadow of the Holocaust, I was brought up in the tangible fear and hope and pain and joy of a generation who went through something they either couldn’t stop talking about or never mentioned at all.

I didn’t think death and destruction could faze me; I was basically a survivor.

Almost 11 months ago, my ninety-something-year-old grandmother walked across the green grass leading up to the hole they were lowering my 17-year-old sister into. She stood as tall as possible for a 4 foot-something woman and looked straight ahead. “Dayeinu,” she stated. She remained stoic and unmoving throughout the week, solid as a rock. When someone told my father that we don’t ask questions; we just cry, she marched over and made another statement. “We ask questions,” she said, “we don’t cry.”

At one point I escaped the crowds and went upstairs to the room with the candle where we watched my sister die. I took out her paints and brushes and covered one of the canvases she never got to use in the colors of my pain. The release was more powerful than a thousand tears. I brought it down to share with my family and someone said, “show Bubby.” I sat down at her feet and held up the painting. She stared at it and patted my hand. “Bubby, I can’t share any other way,” I said. I wanted her to know that my eyes dry up when it hurts, but the words caught in my throat. “I know,” she said, “I see you crying.”

My grandmother survived more than the Holocaust. She survived immigration, she survived the loss of her mother, she survived the loss of her son, she survived the loss of her husband and she just survived the loss of her granddaughter. Dayeinu.

For two years I held my breath as I waited for my sister to die. Then she died and I stopped breathing. For almost a year I have built up a tolerance to air filling my lungs. I can learn to live.

The siren blared yesterday and rang in my head all day. I wanted to think of the lives lost…I really tried…but I have carried their memories in my essence since the day I was born and yesterday I suddenly felt like I wanted to break away.

I turned on the TV and the images of my youth jumped out at me on every channel. Nothing made my soul churn, it was like flipping through a worn out photo album and knowing each picture before getting to the next page.

Without warning, images of Syrian children flew across the room at me and slammed against my chest.

I thought of a child running for the border with just the clothes on her back towards a future she could never be certain of. I thought of her grandchildren, raised on her losses. I thought of her eyes drying up.

The ringing of the siren subsided. I took a deep breath and I reached for those paints and brushes.

My grandmother’s story was told. It is time to tell the ones that are screaming out at us from behind our screens.

Source: Dry eyes